Christopher Schroeder

Category: community and culture

  • Towed Too Far

    Credible critics think well of think well of Tow, but I think it’s misfocused, and thus a middling movie.

    This movie tells the trust story of Amanda Ogle (Rose Byrne), a Seattle woman living in her old Toyota Camary that is stolen while she is interviewing for a job and then towed and sold. She discovers that she needs more than the court order she obtains, so she accepts the offer from a non-profit lawyer named Kevin (Dominic Sessa) and the kindness of Barb (Octavia Spencer), a homeless shelter manager, and others who are staying there, and eventually succeeds.

    The predictable focus of the movie, as written by Jonathan Keasey and Brant Boivin and directed by Stephanie Laing, is Amanda’s persistence. She is called a hero near its end by a reporter who wants to write about her experiences and efforts.

    This focus is reinforced by a successful ensemble, which enables Byrne to make the most of this character. It is reiterated by the apparent replacement of these actors by the people whom they’ve been portraying in a closing scene, which lasts longer than expected.

    The problem is that the Amanda’s efforts are less engaging than her need for connections and community. Amanda is reluctant when her car is towed to rely upon anyone, and must learn how to trust, and be trustworthy, again.

    This process starts in the shelter where Barb tells Amanda for example that her failures are familiar, and thus ones she can overcome, and where Amanda in turn mirrors this tough love to Denise (Ariana DeBose) and supports Nova (Demi Lovato), who is pregnant. Beyond the shelter, she forms semi-functional connections to her lawyer Kevin and even a tow-yard employee named Cliff (Simon Rex).

    Amanda admits to others in one of the support group sessions that she is an alcoholic and an addict who cannot without her car even see her estranged daughter (Elise Fisher). This admission initiates the emotional resolution much as if not more than the successful verdict.

    These moments however aren’t enough to dislodge the hero narrative at the center of this movie, which makes it messy, and not one that can ultimately hold the attention of its audience.

  • Chicago No Kings III

    No Kings Chicago march flyer

    These posters are some of my favorite from the recent No Kings march in Chicago.

  • Where Do You Go From Here?

    I discovered this week that my seven-day Chicago Sun-Times delivery subscription rate had increased by more than thirty-three percent in one month.

    The Sun-Times rep couldn’t explain such a substantial increase, which she insisted had been shared in an email that I couldn’t locate even in my spam folder. She also couldn’t explain how this cost connected to the monthly WBEZ donations that I had been making for many more years than I had been a Sun-Times subscriber.

    Moreover, this increase was discovered in the same week that WBEZ announced its first on-air WBEZ fundraiser of the year, and the first without federal funding. Both are owned by Chicago Public Media, a nonprofit media company that acquired the newspaper in 2022, which made it “the largest nonprofit local news organization in the nation.”

    At that point, I had switched my newspaper subscription from the Chicago Tribune to the Sun-Times in support of public media. I’d generally prefer to have public media funded by the government as it is for example in Canada and elsewhere, which although problematic seems more reliable, but I recognize the political realities in the United States.

    One problem is that this new Sun-Times seven-day delivery rate is three times higher than the same Tribune rate at least for new subscribers. Another is that anyone can obtain the entire Sun-Times print version in electronic form through its website without spending any money.

    In other words, those of us who support Chicago Public Media, and prefer print newspapers, are spending a minimum of three times more than at least some Tribune subscribers. In exchange, we receive what everyone else can consume without any cost.

    A bigger problem is that the Sun-Times and WBEZ content seems to have decreased. Reports I initially hear on the radio for example or read in the newspaper will now reappear in the other form in what seems like a relatively recent overlap.

    Even worse is the way that new CPM leaders seemed unprepared for the present reality. They both seemed surprised by the federal funding loss, which is irresponsible given how often it had been threatened over the years, and have offered no coherent vision or detailed mission for its future, including one that explains the part that donors play.

    I don’t envy anyone in American public media whose existence depends upon the largesse of public. At the same time, I believe that the present state of public media in the United States could offer an opportunity to reimagine a more independent model, one that is both visionary and inspiring.

    If Chicago Public Media did that, they would also suggest that they will be good stewards of our support, which could reassure current donors and motivate new ones.