Category: national

  • Reality TV and Me

    I recently finished Emily Nussbaum’s (2024) second book — Cue the Sun! — for a book club.

    Others have considered this book to be an accessible account of the “fusion of authenticity and contrivance” in reality television (Stowell 2024) and the narrativizing and gamifying of its starts (Cunningham 2024). As such, this oral history both challenges negative assumptions and exposes its “seaming underbelly” (Bell 2024).

    I also liked this eminently readable book, which seems to be Nussbaum’s style. I also appreciated its extensive research, including its use of insider observations of those, such as participants and crews, who might otherwise be overlooked in more conventional accounts.

    For these and other reasons, I was more intrigued than I expected. For example, I wanted to know more about the messiness behind the glossy services or the choices to imitate and the willingness to fail, which according to Nussbaum are central to this genre.

    At the same time, I wanted more consistent context, which others have noted (e.g., Bell 2024). I found such perspective useful early in the book for instance in her discussion of An American Family (i.e., chapter three), but I wondered on more than one occasion about moments when it seemed supplanted by personal dramas within programs or behind the scene.

    I also was hoping for more synthesis in its conclusion, especially after the detailed and documented analysis throughout most of this book. I was actually disappointed by the final pages that almost seemed perfunctory, and not quite worth the effort I had made to get to these.

    Both can be seen in The Apprentice chapter (i.e., chapter thirteen). I hadn’t realized how much this program had rehabilitated Donald Trump’s image, and in so doing repackaged him for his initial presidential run. At least some of his second term is obviously indebted to his first, but that might not have been possible without his makeover from this reality show.

    However, I was reminded of, and grateful for, her thoughtful approach to pop culture that I had encountered in her first book I Like to Watch.

    Its title was a declaration and a challenge. Its content was even more so.

    I was raised in a home where television for religious reasons had been banned. As perhaps a result, I never developed an informed perspective on it, a condition that was reinforced in graduate school. Television as a child was evil and after grad school also insubstantial and thus inferior.

    Not until I read Nussbaum’s first book did I recognize how misinformed I was. Her accounts of The Sopranos for example and other programs fascinated me. Her populist, and personal, aesthetics, and her intellectual ethics, resonated with me, and reinforced instincts that until this book had been overwhelmed and lost in the din and noise.

    In this and other ways, she reminds me to be more tolerant and thoughtful, and honest. She also suggests a significance for anyone who is willing to meet the public where it is, and to use tools and training to think more critically and carefully about the cultural content we’re consuming and the concomitant worlds we’re envisioning.

    What more could I expect?

  • Hands Off and On

    To My Elected Officials and Other Members of Congress:

    I was one of thousands in Chicago, and millions across the country, who spent Saturday afternoon sending a message.

    This message to the Trump administration was that we’ve already had enough, and that we’re prepared to stand for the preservation of our political principles and values. Many more of us didn’t vote for you than those who did, and we insist upon being counted.

    And to our elected officials, it was that we will support efforts to resist this widespread dismantling of American ideals, and that we expect you to stand in front of, and lead, us. You can count on us, but we must be able to count on you. Anything less is unacceptable.

    That is in fact what democracy looks like.

    A Concerned Constituent and Fellow Citizen

  • Conversations and Conflicts

    I had hopes for a recent Chicago Public Library event, which was co-sponsored by the Clarence Darrow Commemorative Committee, about the 1925 Scopes trial and banned books.

    I didn’t expect such a sparse audience, which given the venue might have surprised the organizers as well. Nonetheless, I settled into a seat and later focused on a hanging screen, which featured a recorded introduction to the trial from a historian who had recently published a book. Then I watched a moderated conversation between an ACLU of Illinois First Amendment lawyer and an American Library Association Freedom to Read program administrator.

    I had hoped that the panelists would debate a thesis or otherwise engage in challenging conversation. Instead, they mostly agreed, and mostly offered observations about their backgrounds, current events, and their organizations without any sustained discussion of intellectual independence for example or civil liberties or related issues.

    Perhaps the problem was the relatively diffuse focus, which spanned one hundred years. Maybe part was the moderating, which seemed to consist of mostly closed questions that didn’t encourage debate or even discussion.

    Most agree that evolution is no longer a controversial idea and that book challenges have increased. What are the contested limits or unclear perspectives about these issues, such as gendered bias in evolutionary models or racist ideas in canonical content, on which thoughtful people might disagree or at least could reconsider?

    I’m not advocating for spectacle or controversy for its own sake. These already comprise too much of contemporary life on social media for example and elsewhere. Rather, I’m suggesting that conflicts when handled properly can be productive, and engaging, and central to the Scopes trial, book challenges, and other related issues.

    That would have been a more useful experience, and evening. And it could help if word of such experiences got out with the attendance at this and too many other potentially provocative CPL events.