I can appreciate that Natalie Moore was able to watch both Prada movies with her mother but question the relevance of her most recent column.

The sequel might have coincided as Moore suggests with a new Media Insight Project report, but it offers less about the future of media in the United States than she suggests. Rather, the movie relegates journalism, “Capital J” or not, to the setting for a continuing story that was started in the first movie.

Corporate raiders might appear in the second to dismantle legacy publications, but the “page views” emphasis for example predates Andy’s return as the new features editor. Rather, the movie focuses primarily upon the relationship between Andy, who in her time away has become an award-winning journalist, and her former and future boss Miranda.

This relationship, which occupies the center of this story, says more about time and aging, and the effects of these upon working relationships among women. Andy, who now trusts learned her instincts and advocates for herself, discovers that the world could be less vicious than she otherwise believed. Miranda in turn finds in Andy a former and perhaps future version of herself, someone who if they can collaborate will enhance both Miranda’s legacy and her life.

This focus is not only established by the new working relationship between Andy and Miranda, but it is reinforced by the newfound friendship between Andy and her erstwhile rival Emily. Emily, who is working for Dior at the start of the movie, agrees to use her boyfriend Benji to buy the company and unbeknownst to Andy to install her in Miranda’s position, which Andy and Miranda subsequently prevent by finding yet another buyer, which nonetheless doesn’t prevent Andy and Emily from becoming friends.

In this and other ways, this sequel is more about corporate relationships than the future of journalism, which makes this op-ed seem more like a vanity opportunity that allows Moore to reminisce about her mother and her career without offering much of substance to readers. This condition becomes even clearer in contrast with the only other op-ed in that Sunday newspaper.

That reveals a larger concern, one that is actually about the future of journalism in Chicago. The Sun-Times seems to have generally reduced its op-eds, and some days offers none to its readers. Such circumstances can only increase the pressure for more from Moore, and from her editors and publisher.